Cameras

A full-frame cinema camera in a body small enough for gimbals and handheld work. The same colour science as the Venice line, in a package that travels.

Sensor

10.2 MP full-frame Exmor R CMOS

Recording

4K up to 120p, 10-bit 4:2:2, S-Log3 / S-Cinetone

Dynamic range

15+ stops

Base ISO

Dual, 800 and 12,800

Stabilisation

5-axis in-body, Active mode

Audio

XLR handle with 2 inputs, 4-channel recording

Mount

Sony E

An 8.6K full-frame camera built for single-operator productions, with the Venice colour pipeline and the first in-body stabilisation on a PL-mount camera.

Sensor

8.6K full-frame CMOS

Recording

X-OCN LT, XAVC H, XAVC; 8K 30p, 4K 120p

Dynamic range

16 stops

Base ISO

Dual, 800 and 3,200

ND filter

Electronic variable ND, 0.6 to 2.1

Stabilisation

In-body, works with PL and E lenses

Autofocus

Fast Hybrid AF with subject recognition

Mount

PL, removable to Sony E

A shoulder-style full-frame camcorder for documentary and broadcast crews. Oversampled 6K to 4K with Sony's variable ND and hybrid autofocus.

Sensor

6K full-frame Exmor R CMOS

Recording

4K oversampled from 6K, XAVC Intra / Long, up to 4K 60p

Dynamic range

15+ stops

Base ISO

Dual, 800 and 4,000

ND filter

Electronic variable ND, 2 to 7 stops

Autofocus

Fast Hybrid AF, face detection

Audio

2 XLR inputs, 4 channels with MI shoe

Mount

Sony E